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Veer NYC- for women’s and androgynous fashion

from the founders of the line

Veer NYC was born out of a deeply personal need. We’d both come off a bender of lusting over lower Manhattan’s slew of menswear shops that, from the looks of ‘em, suited us both well. We’d wander inside and sift through the racks looking for “our section.” It was silly. They didn’t exist. What was it about those crew-neck sweaters, wax-coated briefcases and contrast-pocket tees that was so masculine that we couldn’t find them in our fit? If fashion is a reflection of the current social state of our culture, isn’t it about time that the binary gender walls begin to fade away as well?

images from Veer NYC’s Fall 2013 lookbook

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Leo and I were super into having this intergenerational queer connection. We wanted it to feel like this really affectionate, connecting moment where Max is encouraging and moved by Micah. This is how it is for queer people. We are each other’s family and sometimes pretty quickly you can have these bonds. That was really special. And also to show Max in this beautiful relationship with their partner which we didn’t see a lot of it in the past. I was very happy with the casting of Armand Fields and the way it felt with us all on set with Em. Everyone was so committed to this moment. At one point, Armand said, “Welcome back to your franchise” as if it’s Marvel or something. And I realized so much of what I experienced in the past was trying to prove I was a part of something because they always tried to make it very clear that I wasn’t really a cast member because I wasn’t a woman.

But these people — Em, Nova, Armand, Jillian, Leo — they all just made it really clear that they were happy I was back. It was a dream.

Daniel Sea via Daniel Sea on Max’s Return to “The L Word: Generation Q” | Autostraddle
Source: autostraddle.com daniel sea the l word generation q the l word gen q

Jacqueline Toboni Talks Going Full Magic Mike on Generation Q

Sa’iyda: I was so enraptured by it that it didn’t even register to my brain that like, “Oh, you have to ask about that.” 

Jacqueline: It’s actually an interesting story. So Em, who’s our director, they’re awesome, and they were like, “Well, we’re doing a demolition scene. I want to do a little montage.” We’re like, “Okay, what do you mean? Where’s the camera?” You’re asking these technical questions. And they were like, “It’s going to be Magic Mike.” And we were like, “Okay.” And then Kate jokingly said, “Can we play Pony over the speakers?” And Em was like, “100%. We’ll make that happen.” She’s just delighted that we’re even interested in this idea. And so we go outside while they’re setting up and decide to look at a YouTube video of Jenna Dewan doing it on that show where they did— 

Sa’iyda: Oh, Lip Sync Battle. 

Jacqueline: Lip Sync Battle! And then we watched the original scene and we were like, “If we’re going to do it, let’s do it.” So then we just started doing it and we thought there was no chance it was going to make the episode because it’s so outrageous. We were like, “Whatever. They’ll use it for promo.” It was basically just Kate and I having a lot of fun, and then they worked it in. And I can’t believe it.

(via Jacqueline Toboni Talks Rosie, Role Models, and Going Full Magic Mike in Gen Q)

Source: autostraddle.com jacqueline toboni l word generation q the l word l word gen q tlwgq 3x03
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Immerse Yourself in the Work of Indigenous Writers With This Anti-Colonial Reading List for Thanksgiving

What you’ll find here is not just people writing about the ins and outs of what makes Thanksgiving the bullshit holiday that it is, but also people just writing about their cultures, about being who they are, about how they survive, what makes them keep fighting, and what gives them hope for the future.
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