The attentions of others matter to us because we are afflicted by a congenital uncertainty as to our own value, as a result of which affliction we tend to allow others’ appraisals to play a determining role in how we see ourselves. Our sense of identity is held captive by the judgments of those we live among. If they are amused by our jokes, we grow confident in our power to amuse. If they praise us, we develop an impression of high merit. And if they avoid our gaze when we enter a room or look impatient after we have revealed our occupation, we may fall into feelings of self-doubt and worthlessness. In an ideal world, we could be more impermeable. We would be unshaken whether we were ignored or noticed, admired or ridiculed. If someone praised us insincerely, we would not be unduly seduced. And if we had carried out a fair assessment of our strengths and decided upon our value, another’s suggestion that we were inconsequential would not wound us. We would know our worth.
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Leo and I were super into having this intergenerational queer connection. We wanted it to feel like this really affectionate, connecting moment where Max is encouraging and moved by Micah. This is how it is for queer people. We are each other’s family and sometimes pretty quickly you can have these bonds. That was really special. And also to show Max in this beautiful relationship with their partner which we didn’t see a lot of it in the past. I was very happy with the casting of Armand Fields and the way it felt with us all on set with Em. Everyone was so committed to this moment. At one point, Armand said, “Welcome back to your franchise” as if it’s Marvel or something. And I realized so much of what I experienced in the past was trying to prove I was a part of something because they always tried to make it very clear that I wasn’t really a cast member because I wasn’t a woman.
But these people — Em, Nova, Armand, Jillian, Leo — they all just made it really clear that they were happy I was back. It was a dream.
Jacqueline Toboni Talks Going Full Magic Mike on Generation Q
Sa’iyda: I was so enraptured by it that it didn’t even register to my brain that like, “Oh, you have to ask about that.”
Jacqueline: It’s actually an interesting story. So Em, who’s our director, they’re awesome, and they were like, “Well, we’re doing a demolition scene. I want to do a little montage.” We’re like, “Okay, what do you mean? Where’s the camera?” You’re asking these technical questions. And they were like, “It’s going to be Magic Mike.” And we were like, “Okay.” And then Kate jokingly said, “Can we play Pony over the speakers?” And Em was like, “100%. We’ll make that happen.” She’s just delighted that we’re even interested in this idea. And so we go outside while they’re setting up and decide to look at a YouTube video of Jenna Dewan doing it on that show where they did—
Sa’iyda: Oh, Lip Sync Battle.
Jacqueline: Lip Sync Battle! And then we watched the original scene and we were like, “If we’re going to do it, let’s do it.” So then we just started doing it and we thought there was no chance it was going to make the episode because it’s so outrageous. We were like, “Whatever. They’ll use it for promo.” It was basically just Kate and I having a lot of fun, and then they worked it in. And I can’t believe it.
(via Jacqueline Toboni Talks Rosie, Role Models, and Going Full Magic Mike in Gen Q)
via Aubrey Plaza’s Movie Performances, Ranked, by Shelli Nicole
But as I continue to ask myself the question, “Can this be enough?” that resignation has started to shift into an acceptance, which on occasion is even joyful. As many have written before me, there are some serious perks of being single. I live my life on my terms, filling up my days however I want and doing the mundane things in life according to my own particular habits.
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