The South has a second language of weighted contradictions and deep secrets we’re expected to take to our graves, and you learn this language right alongside English and how to cross a street. We’re taught to be humble and to keep our private lives to ourselves — if people find out something about us, they’d rather hear it from a third party, and then they’d like to pretend they didn’t hear it at all. Coming out in the South isn’t just about bucking heterocentric norms and religious teachings, it’s about bucking the entire system of prudence and no, not everyone wants to do that. Plenty of people don’t. I know of several closeted queer people living in my hometown — young and old — who will very likely never come out. Nearly all of them have longtime partners that they live with, and most everyone knows about them being gay, but it’s just not discussed in broad daylight. There are definitely hellraisers in the South who don’t give a single fuck about norms and systems, but if your grandmother wasn’t a hellraiser and you want her to let you in the house on Sundays, you don’t do what hellraisers do. I get that.
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Leo and I were super into having this intergenerational queer connection. We wanted it to feel like this really affectionate, connecting moment where Max is encouraging and moved by Micah. This is how it is for queer people. We are each other’s family and sometimes pretty quickly you can have these bonds. That was really special. And also to show Max in this beautiful relationship with their partner which we didn’t see a lot of it in the past. I was very happy with the casting of Armand Fields and the way it felt with us all on set with Em. Everyone was so committed to this moment. At one point, Armand said, “Welcome back to your franchise” as if it’s Marvel or something. And I realized so much of what I experienced in the past was trying to prove I was a part of something because they always tried to make it very clear that I wasn’t really a cast member because I wasn’t a woman.
But these people — Em, Nova, Armand, Jillian, Leo — they all just made it really clear that they were happy I was back. It was a dream.
Jacqueline Toboni Talks Going Full Magic Mike on Generation Q
Sa’iyda: I was so enraptured by it that it didn’t even register to my brain that like, “Oh, you have to ask about that.”
Jacqueline: It’s actually an interesting story. So Em, who’s our director, they’re awesome, and they were like, “Well, we’re doing a demolition scene. I want to do a little montage.” We’re like, “Okay, what do you mean? Where’s the camera?” You’re asking these technical questions. And they were like, “It’s going to be Magic Mike.” And we were like, “Okay.” And then Kate jokingly said, “Can we play Pony over the speakers?” And Em was like, “100%. We’ll make that happen.” She’s just delighted that we’re even interested in this idea. And so we go outside while they’re setting up and decide to look at a YouTube video of Jenna Dewan doing it on that show where they did—
Sa’iyda: Oh, Lip Sync Battle.
Jacqueline: Lip Sync Battle! And then we watched the original scene and we were like, “If we’re going to do it, let’s do it.” So then we just started doing it and we thought there was no chance it was going to make the episode because it’s so outrageous. We were like, “Whatever. They’ll use it for promo.” It was basically just Kate and I having a lot of fun, and then they worked it in. And I can’t believe it.
(via Jacqueline Toboni Talks Rosie, Role Models, and Going Full Magic Mike in Gen Q)
via Aubrey Plaza’s Movie Performances, Ranked, by Shelli Nicole
But as I continue to ask myself the question, “Can this be enough?” that resignation has started to shift into an acceptance, which on occasion is even joyful. As many have written before me, there are some serious perks of being single. I live my life on my terms, filling up my days however I want and doing the mundane things in life according to my own particular habits.
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