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Every one of Brittany and Santana’s relationship milestones has happened because fandom never stopped fighting for them. Throwaway jokes weren’t enough. Holding hands wasn’t enough. Canoodling in the background wasn’t enough. If Finn and Rachel could make out with their mouthparts, Brittany and Santana should be allowed to make out with their mouthparts. If Kurt and Blaine got ten duets a season, Brittany and Santana should get ten duets in a season. The show’s writers and producers antagonized Brittany and Santana fans on social media, mocked them with meta commentary inside the show, and scorned them in interviews with mainstream and LGBTQ media outlets. I will never, in all my life, forget Brittana fandom having to explain to Glee‘s creative team the difference between two people kissing and two people rubbing their necks together like giraffes.
If you can shoot Martin [Luther King Jr.], you can shoot all of us. And there’s nothing in your record to indicate you won’t, or anything that would prevent you from doing it. That will be the beginning of the end, if you do, and that knowledge will be all that will hold your hand. Because one no longer believes, you see—I don’t any longer believe, and not many black people in this country can afford to believe— any longer a word you say. I don’t believe in the morality of this people at all. I don’t believe you do the right thing because you think it’s the right thing. I think you may be forced to do it because it will be the expedient thing. Which is good enough.
James Baldwin in Esquire Magazine (1968), via the #BlackLivesMatter reading list
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strayandpixie
“Every one of Brittany and Santana’s relationship milestones has happened because fandom never stopped fighting for them. Throwaway jokes weren’t enough. Holding hands wasn’t enough. Canoodling in the background wasn’t enough. If Finn and Rachel...
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Every one of Brittany and Santana’s relationship milestones has happened because fandom never stopped fighting for them. Throwaway jokes weren’t enough. Holding hands wasn’t enough. Canoodling in the background wasn’t enough. If Finn and Rachel could make out with their mouthparts, Brittany and Santana should be allowed to make out with their mouthparts. If Kurt and Blaine got ten duets a season, Brittany and Santana should get ten duets in a season. The show’s writers and producers antagonized Brittany and Santana fans on social media, mocked them with meta commentary inside the show, and scorned them in interviews with mainstream and LGBTQ media outlets. I will never, in all my life, forget Brittana fandom having to explain to Glee‘s creative team the difference between two people kissing and two people rubbing their necks together like giraffes.

But the theme of Glee from the very beginning was: when strong popular guys toss weak minority guys into the dumpster in the parking lot, the only way to win is to climb out and dust off the trash and Don’t Stop Believin’.

And so lesbian fandom took Glee at its word. Brittana fandom came together and held firm and relied on each other not to let the upside-down world convince them they were the ones who were walking on the ceiling.

I can’t claim the win; I checked out on Glee emotionally a long time ago. But goddamn, it was beautiful watching your victory! That’s what I couldn’t explain to my girlfriend. “The thing” about Brittany and Santana is about falling in love with your best friend, which is a tale that never gets tired, but it’s also about a generation of queer women seizing their power and leading the way into a brave new world.

Glee Episode 603 Recap: To Infinity And Beyond on Autostraddle
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Tonight I cleaned my room while listening to a Why Are People Into That. Now my room is sooooo clean and I am thinking about the thing that Tina Horn was talking about with her guest that was sooo hot. Listening to YAPIT got me really hot and now I have renewed my CrashPad subscription.
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I have been dismayed at the degree to which abysmal ignorance seems to prevail among many state, city and even Federal officials on the whole question of racial justice and injustice. Particularly, I have found that these men seriously—and dangerously—underestimate the explosive mood of the Negro and the gravity of the crisis. Even among those whom I would consider to be both sympathetic and sincerely intellectually committed, there is a lamentable lack of understanding. But this white failure to comprehend the depth and dimension of the Negro problem is far from being peculiar to Government officials. Apart from bigots and backlashers, it seems to be a malady even among those whites who like to regard themselves as “enlightened.”
Martin Luther King Jr. in Playboy (1964), via the #BlackLivesMatter reading list
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