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“The theology was a no-brainer: you do you, be nice to people, don’t talk shit about women’s bodies, don’t link to Bustle, don’t use the word “problematic” or else the goddesses will cry (that’s code for “your water bottle will explode in your bag”),...

The theology was a no-brainer: you do you, be nice to people, don’t talk shit about women’s bodies, don’t link to Bustle, don’t use the word “problematic” or else the goddesses will cry (that’s code for “your water bottle will explode in your bag”), memorize the HTML for adding an image to a comment and do not covet your best friend’s wife or girlfriend.

A pantheon of goddesses have assembled themselves for worship: our Lordess Ellen DeGeneres, Jasika Nicole, Wanda Sykes and Rachel Maddow. Religious texts would include This Bridge Called My Back, Sister Outsider, Bad Feminist, Susie Sexpert’s Lesbian Sex World and OMG I’M GAY. We would immediately apply for state-sanctioned religious holidays such as The Day Orange is the New Black Comes Out and International Autostraddle Brunch Week. Worship services would feature a gospel choir lead by Dannielle Brooks and Samira Wiley, dance performances by Kaylah Wilson and Alex Vega, inspirational speeches from congregants and that part where they pass around a plate and everybody puts a bunch of money on it.

It’s Official: Autostraddle is Becoming A Religion

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Willie Colón’s voice was my grandma dressed in her widow’s black counting novenas. It was End of Days empty, calling out for redemption. He sang like that time I asked my Grandma if my Dad loved me, like that time I got spanked for asking such an obvious question.

My answer for him, the answer I’ve created for us, was and still is, I’m not really sure how to love you, yet.

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When we look at the standards by which we often discuss bisexual representation on TV, The 100 is kind of a mixed bag. My initial takeaway was, honestly, disappointment — Clarke and Lexa’s kiss, the first indication that their relationship isn’t platonic, doesn’t come until very late in the second season. When it does come, it’s a very brief moment — Clarke FOR SURE kisses back, but she also stops kissing about three seconds later, and tells Lexa “I can’t.” The implication is at least that Clarke means “I can’t right now because my last love interest died about five minutes ago and also I’m responsible for keeping hundreds of people alive even though I’m only 17,” not “I can’t because we’re both girls.”

Still, though, I was hoping for a little more than the few seconds of blissful bi reciprocal feelings we saw. I had heard so much about this show, and so much of it enthusiastic, that I was prepared for a full-on relationship. What we actually got ultimately amounts to a demonstration that our protagonist is bi, but the scene doesn’t last long enough to do much more than that. What’s more, Lexa and Clarke don’t exactly end the season on an amicable note. While I’m cautiously optimistic about their reconciliation, the fact remains that if I had blinked several times, like if I had particularly dry eyes on the day I finished the show, I could plausibly have missed this entirely.
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Last night was the first time a TV show with a principal Asian cast took on gay issues. That may not sound like a lot, but stop and digest that. There have only ever been two shows about Asian-American families, ever, on TV. Until last night, they have never directly addressed gay people or gay issues.
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For Bessie Smith to be so boldly queer as a celebrity and especially a woman of color in the early 20th century was powerful. To celebrate her for everything she was now – every last drop of her boisterous, promiscuous, defiant person – could still change everything.
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For me, one of the most beautiful and empowering parts about choosing to live as an out trans woman is knowing that I’m helping to dismantle the deeply fucked up power structures that have plagued us since we first gained access to transition in the middle of the 20th century.
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