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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
sexisnottheenemy
When someone says “Kids won’t understand how two men can be married” what they mean, what they’re trying to say, is “I don’t understand how two men can be married.” When they say “Kids won’t understand why their dick looks different from daddy’s” they’re trying to explain “I don’t understand why you want to be different from tradition.” When they say “Kids won’t know who’s the daddy and who’s the mommy” they are telling you “I cannot comprehend a world without very rigid gender roles, and as far as I know neither can anyone else.” If anyone can think of a counterexample, let me know, but from where I’m standing, it looks like every use of the “confused kids” argument is just people pushing their own incomprehension off onto some largely-hypothetical kids.
Source: noseriouslywhatabouttehmenz.wordpress.com

I’ve had medium length fingernails for the past 3 yrs and it was never a problem with masturbation. But I’m finally dating and I realized that ettiquette says I should cut them short. Is this really a big thing? Will girls not want to date me if I don’t?

they’ll date you but you can’t fuck them
i’m like, a person whose nails are always done
but they’re done literally as short as they possibly can be
it makes it easier to type, too

there’s just some things that are tender
and tear

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emilybooks

Standing in the Goods

emilybooks

Inferno and the Myth of the American Working-Class Artist

by Sady Doyle

“I could go for about a month without working. That was the amount of debt I could float.” — “Eileen Myles,” the narrator of Inferno (a poet’s novel)

Portraits of bohemian poverty are a dime a dozen. Describing your crappy apartment, elaborately painful relationships and the earlier, cuter stages of alcoholism is a way to show that one is suffering for one’s art and is therefore good at both. As Eileen Myles puts it, even just a few years of poverty can get “the dirt of authenticity” under the nails of comfortably middle-class artists. But Myles’s relationship to money isn’t a pose, or a bid for admiration. Money, for her, is a continual undercurrent of concern.

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